Where To Find the 2019 Hugo Longlist For Free Online

 This is intended as a supplement to JJ’s File 770 post, Where To Find The 2019 Hugo Award Finalists For Free Online. If you want to read the actual Hugo finalists, that’s where to look.

If you are interested in reading works that were on this year’s Hugo longlist but did not make the final ballot, here’s a guide to find material which is available for free online. Where available in their entirety, works are linked. If not available for free, an Amazon link is provided and a free excerpt has been linked if I could find one online. I highly encourage you to purchase books via your local independent bookseller instead of Amazon if possible.

Works are provided in the order of longlist finish. No attempt has been made to verify eligibility or lack thereof.

Novel

Novella

Novelette

Short Story

Series

Related Work

Graphic Story

Dramatic Presentation, Long Form

Dramatic Presentation, Short Form

Professional Editor, Short Form

Professional Editor, Long Form

Professional Artist

Semiprozine

Fanzine

Fancast

Fan Writer

Fan Artist

Art Book

Young Adult Book (Lodestar)

New Writer (Campbell)

2019 Hugo Ramblings

The 2019 Hugo Awards were handed out on Sunday night in Dublin, Ireland, at the 77th World Science Fiction Convention. I was there, and now that I am home and have had a chance to review the detailed voting and nomination statistics, I have some thoughts.

John W. Campbell Award for Best New Writer

This was the first award, and was given to a rather strange mood in the room; Ada Palmer’s serious speech about the role of fantasy in challenging systems of government was constantly interrupted by audience chuckles induced by the automatic speech-to-text captioning, which provided such gems as “Bored of the Rings and Cream of Thrown”. Jeannette Ng was announced as the winner (beating Rivers Solomon by 43 votes) and began her speech by proclaiming that “John W. Campbell was a fucking fascist.” Her full speech can be read here, and if you click one link in this post it should be that one.

Since then there have been a lot of discussions in various places (see, e.g., this File 770 post) about whether the Campbell should be renamed. A few factors to consider:

  • The World Science Fiction Society doesn’t own the Campbell. While we administer it, it’s owned by Dell Magazines, publishers of Analog (the magazine that Campbell used to edit). Dell Magazines controls the name of the John W. Campbell Award for Best New Writer.
  • It is mechanically possible for WSFS to stop administering the Campbell and start administering their own award. This could be done either as either a new Not-a-Hugo or a Hugo for Best New Writer. My personal preference would be for the former as I don’t really like the idea of a Hugo with rolling two-year eligibility and I think there are some two-Hugo-for-the-same-work concerns. On the other hand the latter would avoid having to figure out a new award name. Also Analog could take the Campbell somewhere else and keep awarding it.
  • The other thing that I haven’t seen discussed is that we’re still actively honoring John W. Campbell. He won the 1944 Retro Hugo for Best Short Form Editor administered by this very convention. Now that’s a very silly award, and I’ll admit I didn’t bother to vote in it; only 425 people did. But this was the most overwhelming win of any category, with 56.8% of first preferences. If we are serious about no longer honoring Campbell, we shouldn’t overlook the Retro Hugos.

Best Related Work

Archive of Our Own beat Ursula K. Le Guin: Conversations on Writing by 174 votes. Last year 55.3% of Hugo voters voted in this category; this year that increased to 64.4%, easily the largest increase in any category. (And if I’m doing the math right there were 261 voters who just voted for AO3 in this category.)

I’m still not entirely sure I agree that AO3 was eligible here but I’m happy for its win as the existence of AO3 really is important for the fannish community and deserves recognition. (And it’s not like the more serious scholarly books I vote for do well anyway: Astounding came in sixth!) I was particularly moved by the donation of the Hugo trophy to the traveling exhibition, thereby quite literally giving the Hugo back to the fans that make AO3 possible.

Naomi Novik’s acceptance speech can be read here.

Best Art Book

A trial category for this year. I’m extremely “eh” on how the trial turned out, and I say this as somebody who is generally supportive of things that make Related Work a bit less of a grab bag. It got a rather low number of nominations (42 ballots and 13 nominees fewer than the next lowest categories) and two of the top eight were ruled ineligible. On the other hand, it got a very respectable number of final votes (1392, or 44.9% of ballots). The Books of Earthsea: The Complete Illustrated Edition won by 282 votes over Spider-Man: Into the Spider-Verse: The Art of the Movie.

It bears noting that this win both overlapped with the Professional Artist (Charles Vess) winner and appears to have been at least in part a “We Like Earthsea” vote. (Note that Earthsea was the first runner-up in Series nominations, as discussed below.) There were 128 fewer votes for second place in this category. However I’m not sure that it’s possible to have categories that contain professional art without overlapping a Professional Artist category; consider, for instance, Sana Takeda’s and Monstress‘s wins last year. And obviously an art book can contain art that would not be eligible for a given year’s Professional Artist award due to, say, being a retrospective.

Fan Categories

Best Fanzine

Lady Business beat Journey Planet by 132 votes. Their acceptance speech can be read here.

The Big Thing that people are talking about in this category is that Fanzine only got votes on 26.9% of Hugo ballots, leaving it dangerously close to an automatic No Award. (At least 25% of all of the valid final Hugo ballots must have a non-No Award first place vote in a category for it to be awarded.) Frustratingly, this category isn’t obviously broken from a definitional perspective. There might need to be a bit more voter education in terms of what’s eligible (as in, a lot of online stuff⁠—I think Acrophilia might be technically eligible even though I will laugh at anybody who nominates me) but Pro/Fan Artist this is not.

Even more interestingly, there’s a huge drop-off from last year. Here’s a look at the fan categories over the last decade:

Untitled

If you ignore the 2015-16 Puppy spike Fanzine has been chugging along fairly steadily until this year when it drops from 38.0% to 26.9%. In actual voter numbers, that’s 1075 voters last year to 833 this year. (Note that we picked up 269 additional Hugo voters this year.) The biggest change in the ballot this year is File 770 (permanently) declining nomination; File 770 was second in nominations anyway, with 52, and as best I can tell 252 people voted for File 770 last year on the final ballot and then left the rest of the category blank.

Again, I’m not really sure what the solution is here other than getting the word out about good fanzines that you should be reading. (Although my probably-unpopular opinion is that community sites such as AO3 or r/fantasy are a better fit here than in Related Work.) Aidan Moher suggested merging Fanzine and Fancast but I tend to agree with Claire Rousseau‘s and Renay‘s dissents that the two are actually quite different and should be considered separately.

Best Fancast

Our Opinions Are Correct was the only winner to break 50% in less than six rounds of voting, beating The Skiffy and Fanty Show by 220 votes.

I don’t vote in this category because I can’t focus on audio-only for any period of time without getting distracted. However I was pleased to note the appearance of BookTube on the longlist, represented by Kalanadi and Books and Pieces. Remember, folks, YouTube channels are eligible in this category!

Best Fan Writer

Foz Meadows beat Bogi Takács by 81 votes. Her acceptance speech can be read here.

Fan Writer is a good example of a category that used to be kind of stale and has more recently done a very good job of honoring a bunch of different, worthy people.

Best Fan Artist

Likhain (Mia Serrano) beat Grace P. Fong by 90 votes. Her acceptance speech can be read here.

Best Dramatic Presentation, Long Form

Spider-Man: Into the Spider-Verse beat Black Panther by 247 votes. Notably the top three places on the final ballot all went to Marvel Comics-related movies, which suggests that we’re not going to see an end to the superhero domination of this category any time soon. (I had Spider-Verse second on my ballot, voting first for Sorry to Bother You which placed sixth. They’re really, really different things and honestly kind of hard to compare.)

Of interest to the potential Games Hugo category, Black Mirror: Bandersnatch made the longlist with 53 nominations.

Best Dramatic Presentation, Short Form

The Good Place: “Janet(s)” beat The Expanse: “Abaddon’s Gate” by 144 votes, the second year in a row for a Good Place win in this category.

Dirty Computer placed sixth, which is a bit disappointing but honestly unsurprising. The last few years have seen one kind of off-beat (i.e. “not a television episode”) finalist that is kind of exciting but ultimately does poorly in the voting. The rest of the longlist is also TV episodes.

The Good Place sent a video acceptance and I’d just like to say that it was really exciting to actually have real acceptances from both Dramatic Presentation winners this year instead of the typical “the convention accepts this on behalf of Hollywood people who don’t know we exist”.

Best Professional Editor, Short Form

Gardner Dozois beat Neil Clarke by 98 votes. This was the first time that a finalist placed on the ballot by E Pluribus Hugo effects won the Hugo; under the old nomination system, he would have been displaced by Jonathan Strahan.

That being said, Didi Chanoch had a good Twitter thread about how this is really more of a lifetime achievement award for an editor who (very deservedly) had already been well-recognized by the Hugos.

Thought experiment: if we changed this category into Best Anthology and Best Magazine, would The Book of Magic have won for Anthology? (The Locus results actually suggest yes, although the Locus and Hugo electorates aren’t the same.)

Written Fiction Categories

Best Novel

Not particularly close, with The Calculating Stars beating Spinning Silver by 302 votes. It was pretty cool to see the award for a Lady Astronaut novel being presented by an actual lady astronaut. Mary Robinette Kowal’s acceptance speech can be read here.

I was pleased to see Blackfish City and Foundryside, which I nominated, on the longlist. There’s a pretty wide gap in terms of nomination count between the finalist novels and everything else.

Best Novella

This was actually slightly closer than the last couple years, although still not very: Artificial Condition beat The Tea Master and the Detective by 323 votes. The other two Murderbot novellas also received enough nominations to qualify for the final ballot, but Martha Wells graciously declined nomination for them. (The limit on how many works by the same author can appear in a category is two.)

I’m glad The Freeze-Frame Revolution and “Umbernight” both made the longlist although I’d have liked to see them a bit higher. One of the two main flaws that tends to afflict Hugo ballots is voters’ tendencies to read in their comfort zone and nominate accordingly; much of the longlist is series work.

“Umbernight” was also the only entry on the longlist that was published as part of a periodical, not as a separate book.

Best Novelette

One of the closest results on the ballot and the closest in this category since 2010: “If at First You Don’t Succeed, Try, Try Again” beat “The Last Banquet of Temporal Confections” by 9 votes.

The other big issue that we’ve seen on recent Hugo ballots is the tendency to avoid nominating stories from the print magazines. This year’s longlist isn’t entirely fiction that’s available for free online; “An Agent of Utopia” is there and that’s from an anthology. But that’s it; everything else on that list is free online. Now, novelette was a strong category this year so it’s not obviously weakening the category but I can’t help but wonder what great stories we might be missing.

Best Short Story

This is one I thought would be closer, with “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” beating “The Secret Lives of the Nine Negro Teeth of George Washington” by 342 votes. Alix E. Harrow’s acceptance speech can be read here.

The longlist follows the pattern I noted above of being predominantly from the free online magazines. “Mother Tongues” (which I nominated!) is the notable exception, being originally published in Asimov’s but then subsequently reprinted in Clarkesworld prior to the nomination deadline.

Best Series

Wayfarers beat The Laundry Files by 218 votes. I voted for Machineries of Empire, which is a completed trilogy (with some short-fiction add-ons) and likely won’t be eligible here again. However I will note that Wayfarers, as a “shared-setting” series, doesn’t really have any of the incompleteness problems I’ve complained about before. (On the other hand, to me that makes it a better fit in Best Novel than in Series, whereas the likes of Machineries of Empire is the reverse; you can jump into Record of a Spaceborn Few without having read anything else while you’d likely be totally lost if you just read Revenant Gun in isolation.)

The longlist shows that we’re still dealing with some eligibility issues in this category. The first non-finalist was Earthsea, which was very technically eligible due to a newly published short story; while Earthsea is of course great, to me it’s very hard to argue that we should be honoring it with an award for 2019 fiction. This award should be for current series, not classic series we all love that have technical hooks. The second non-finalist was The Murderbot Diaries, which was not eligible due to insufficient word count.

I was a bit disappointed in this year’s Series shortlist because I had read most of it already. Fortunately there are some series down in the longlist that I’m not particularly familiar with that I might have to check out.

Becky Chambers’s acceptance speech can be read here.

Lodestar Award for Best Young Adult Book

Children of Blood and Bone beat Dread Nation by 64 votes.

The main issue with this award is participation; only 34.3% of Hugo voters voted for the Lodestar, which is more in line with a fan category than a written fiction category. Otherwise it seems to be working well.

Best Graphic Story

Monstress, Volume 3 beat Black Panther: Long Live the King by 8 votes, the closest result on the ballot. My taste in comics is irreparably lowbrow so I tend not to vote in this category but I’m still a bit annoyed how much of it is dominated by the latest volume in series that have a regular finalist spot. This is the third year in a row that Monstress won.

Best Semiprozine

Uncanny Magazine beat Strange Horizons by 122 votes. This is Uncanny‘s fourth win in a row, although this year’s win includes the Disabled People Destroy Science Fiction special issue edited by Elsa Sjunneson-Henry and Dominik Parisien, who have not won Hugos before.

Best Professional Editor, Long Form

Navah Wolfe (Saga Press) beat Sheila E. Gilbert, last year’s winner, by 86 votes.

Best Professional Artist

Charles Vess beat Galen Dara by 50 votes. See above comments on the Art Book category.

 

This post has been updated on 23 August to include a link to Becky Chambers’s acceptance speech.

 

County High Point Mentions in Hugo Finalists (Part One)

I knew of Ursula’s longstanding love of Steens Mountain in the remote high desert of the farthest corner of southeastern Oregon, a landscape that had informed the world of her novel The Tombs of Atuan, as well as her poetry-photography collaborative collection Out Here.

—David Naimon, Ursula K. Le Guin: Conversations on Writing (Portland, Ore.: Tin House Books, 2018), p. 53

Steens Mountain’s summit, at 9,733 feet, is the highest point of Harney County. It’s been on my to-visit list for a while but hasn’t really bubbled up to the top due to, as mentioned, its sheer remoteness; the nearest town with a gas station is Burns, about ninety miles away. The Tombs of Atuan mention makes it an even more intriguing visit though, as does the mention of incredible local stargazing. (I really need to remember to bring my binoculars on my car-camping trips; the last truly dark skies I saw were at Hinkey Summit, in remote northwestern Nevada, and they were spectacular.)

I use “Steens Mountain’s summit” advisedly, as the mountain itself is a huge fifty-mile fault block that rises directly from the nearby Alvord Desert, five thousand feet below. Beyond the Alvord Desert is the Malheur National Wildlife Refuge, which you may remember from the 2016 occupation of its headquarters by armed seditionists. Or “Right-Wing Loonybirds”, as Le Guin called them.

Books Acquired, 6-12 May 2019

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I’ll write about something other than just books acquired at some point, I promise. Just haven’t had time lately.

Kind of a quiet library book sale this week:

Bova, Ben (editor). The Science Fiction Hall of Fame, Volume Two B. Doubleday, 1973. SFBC hardcover. Second in a set of what SFWA considered to be the best science fiction novellas that predated the Nebula Awards. It’ll sit next to Volume Two A on my shelf.

Brin, David. Infinity’s Shore. Bantam Spectra, 1996. First edition hardcover. Second in the Uplift Storm trilogy. No. 745 on Mt. Tsundoku.

Kuttner, Henry. The Best of Henry Kuttner. Nelson Doubleday, 1975. First edition SFBC hardcover. Predates the trade edition by two months. Another in the Ballantine Classic Science Fiction series, and fortuitously acquired in time to do some Retro Hugo reading—this includes both “Mimsy Were the Borogoves” and “The Proud Robot”.

 

Books Acquired, 29 April-5 May 2019

20190506_090250

Dragging the local used book stores for this year’s Hugo finalists finally turned up something!

Nevala-Lee, Alec. Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction. Dey Street, 2018. First edition hardcover. Hugo finalist for Best Related Work. I nominated this, and I think it’s exactly the kind of thing the Related Work category should be showcasing. A look at the origins of American science fiction viewed through the life of Astounding editor John W. Campbell and those he influenced.

On the way back home from Brushy Peak on Sunday I hit up a couple of library bookstores on the off chance they had anything good. I like to do this when I have time because library “books for sale” sections are both extremely cheap and (when non-local) I haven’t picked them clean recently. The result, from Livermore for $1:

Tuchman, Barbara W. The Guns of August. Macmillan, 1962. Third printing of the first edition hardcover. Pulitzer Prize for General Non-Fiction. Replaces a paperback copy. Unfortunately price-clipped, but other than that a quite decent hardcover copy. Obviously this should not be your first stop for an understanding of the causes of the First World War (the historical analysis has not aged well) but a classic non-fiction read nonetheless.

And of course while in the area I had to check Half Price Books:

Dick, Philip K. Martian Time-Slip. Ballantine, 1964. First edition mass-market paperback. A classic Dick novel about a Martian colony, expanded from a 1963 novella. No 140 on Mt. Tsundoku.

Book Acquired, 22-28 April 2019

20190429_091838

I misread an advertisement for a Half Price Books tent sale as applying to everywhere instead of just the Citrus Heights location. Discovering my error, I of course didn’t bother to drive all the way up to Sacramento, but did check the Fremont SFF shelves just in case there was something I particularly wanted.

Novik, Naomi. Uprooted. Del Rey, 2015. First edition hardcover. Nebula Award and Hugo finalist for Best Novel; Locus Award for Best Fantasy Novel. Supplements an ebook. I’m not hugely big on fairy-tale inspired stuff but I really liked this; it’s about a girl, a mage, and a corrupted forest.

Books Acquired, 15-21 April 2019

20190424_191043
Too many books to stack safely, I think.

Monday night means free books from FOPAL, and when there are several shelves of SFBC selections? Yeah. The major limiting factor was the size of my book bin.

Anderson, Poul. Annals of the Time Patrol. Nelson Doubleday, 1984. First edition thus, SFBC hardcover. Omnibus collecting the Time Patrol stories published up to that point.

Anderson, Poul. Beyond the Beyond. New American Library, 1970. SFBC hardcover. A collection of various Anderson novelettes.

Anderson, Poul. The Earth Book of Stormgate. Berkley/Putnam, 1978. SFBC hardcover. A linked short story collection from Anderson’s Technic History.

Bear, Greg. Eon. Bluejay Books, 1986. SFBC hardcover. Shortlisted for the Clarke Award. First in a trilogy. No 12 on Mt. Tsundoku.

Benford, Gregory. Across the Sea of Suns. Timescape Books, 1985. [SFBC hardcover. Second in the six-book Galactic Center series. No 583 on Mt. Tsundoku.

Benford, Gregory. In the Ocean of Night. Dial Press, 1977. SFBC hardcover. Nebula finalist for Best Novel. First in the six-book Galactic Center series. No 582 on Mt. Tsundoku.

Brunner, John. The Crucible of Time. Del Rey, 1984. SFBC hardcover. Fix-up science fiction novel.

Brunner, John. Players at the Game of People. Nelson Doubleday, 1980. First edition SFBC hardcover. Predates the trade edition by two months.

Brunner, John. Stand on Zanzibar. Doubleday, 1970. SFBC hardcover. Hugo Award for Best Novel. A dystopian novel about the overpopulated future of 2010, with narrative techniques borrowed from Dos Passos’s U.S.A. trilogy. One of a small handful of Best Novel Hugo winners that I haven’t read yet. No. 4 on Mt. Tsundoku.

Brunner, John. The Stone That Never Came Down. Doubleday, 1974. SFBC hardcover. Science fiction novel.

Brunner, John. The Wrong End of Time. Doubleday, 1972. SFBC hardcover. Science fiction novel.

Disch, Thomas M. Triplicity. Nelson Doubleday, 1980. First edition thus [K10], SFBC hardcover. Omnibus containing Echo Round His BonesThe Genocides (1966 Nebula finalist), and The Puppies of Terra (supplements an Ace Double edition).

Donaldson, Stephen R. The Illearth War. Holt, Rinehart and Winston, 1977. SFBC hardcover. Second in The Chronicles of Thomas Covenant, the Unbeliever. Replaces a paperback copy. No 880 on Mt. Tsundoku.

Gerrold, David. The Man Who Folded Himself. Random House, 1973. SFBC hardcover. Hugo and Nebula finalist for Best Novel. No 933 on Mt. Tsundoku.

Gibson, William. Spook Country. Putnam, 2007. First edition hardcover. Second in the Blue Ant Trilogy. A nice copy that I’m surprised was free, although this had a large print run judging from what I’ve seen at used bookstores.

Gunn, James E. The Listeners. Charles Scribner’s Sons, 1972. SFBC hardcover. Shortlisted for the Campbell Memorial Award. Fix-up science fiction novel.

MacLeod, Ken. Engine City. Tor, 2003. 1st U.S. edition hardcover. Third in the Engines of Light trilogy. A nice copy except for a bit of dogearing. I should probably track down a copy of Dark Light at some point.

MacLeod, Ken. The Sky Road. Orbit, 2000. Trade paperback edition. Hugo finalist for Best Novel. Fourth and final novel in the Fall Revolution sequence. No 937 on Mt. Tsundoku.

MacLeod, Ken. The Star Fraction. Orbit, 2000. Second printing of the trade paperback edition. Shortlisted for the Clarke Award. First novel in the Fall Revolution sequence. This copy has a big “2 for £10” sticker on the cover from Blackwell’s Bookshops. N934 on Mt. Tsundoku.

McDevitt, Jack. Cauldron. Ace, 2008. Second printing of the mass-market paperback edition. 2009 Nebula finalist for Best Novel. Sixth in the Academy series. A tiny remainder mark on the bottom.

McDevitt, Jack. Chindi. Ace, 2003. Seventh printing of the mass-market paperback edition. 2004 Nebula finalist for Best Novel. Third in the Academy series. No 701 on Mt. Tsundoku.

McDevitt, Jack. Infinity Beach. Eos, 2001. Third printing of the mass-market paperback edition. 2001 Nebula finalist and Campbell Memorial shortlist for Best Novel.

McDevitt, Jack. Omega. Ace, 2004. Fourth printing of the mass-market paperback edition. Campbell Memorial Award; Nebula finalist for Best Novel. Fourth in the Academy series. No 702 on Mt. Tsundoku.

McIntyre, Vonda N. The Exile Waiting. Nelson Doubleday, 1975. SFBC hardcover. Nebula finalist. The book club edition predated the trade release by five months, but I’m not sure when this copy was printed; there was no gutter code on page 211 and the first printing would have “30R” there. It is a mystery.

Niven, Larry. The Ringworld Engineers. Holt, Rinehart and Winston, 1980. SFBC hardcover. Hugo finalist for Best novel. Sequel to Ringworld. Replaces a paperback copy. No 295 on Mt. Tsundoku.

Pohl, Frederik. Starburst. Del Rey, 1982. SFBC hardcover. Expansion of the Locus-winning novella “The Gold at the Starbow’s End” (1972).

Sheckley, Robert. Mindswap. Delacorte Press, 1966. SFBC hardcover. Science fiction novel about switching minds for space tourism purposes.

Silverberg, Robert. Majipoor Chronicles. Arbor House, 1982. SFBC hardcover. Collection of linked stories that forms the second in the Majipoor series.

Silverberg, Robert. To Live Again. Doubleday, 1970. SFBC hardcover. Science fiction novel.

Silverberg, Robert. Valentine Pontifex. Arbor House, 1984. SFBC hardcover. Third in the Majipoor series, and last in the initial trilogy.

Simak, Clifford D. A Heritage of Stars. Berkley/Putnam, 1977. SFBC hardcover. Science fiction novel.

Simak, Clifford D. Shakespeare’s Planet. Berkley/Putnam, 1976. SFBC hardcover. Science fiction novel.

Simak, Clifford D. The Visitors. Del Rey, 1980. SFBC hardcover. Science fiction novel about aliens visiting Earth.

Simmons, Dan. Olympos. Eos, 2005. First U.S. edition hardcover. A more battered copy than I’d pay money for (with binding damage from page 337 onward), but it’ll still look good next to Ilium on the shelf.

Tiptree, James Jr. Up the Walls of the World. Berkley/Putnam, 1978. ISFBC hardcover. Tiptree’s first novel (having previously worked at shorter lengths), for which she declined a Hugo nomination. There’s a picture of the author on the back cover, which for some reason greatly amuses me.

Varley, John. The Ophiuchi Hotline. Dial Press, 1977. SFBC hardcover. Part of the author’s Eight Worlds setting. Replaces a paperback copy. No 848 on Mt. Tsundoku.

White, James. Ambulance Ship. Del Rey, 1979. First edition mass-market paperback. Fourth in the Sector General series. No 310 on Mt. Tsundoku.

Yulsman, Jerry. Elleander Morning. St. Martin’s Press, 1984. SFBC hardcover. An alternate history novel in which Hitler is assassinated in 1913. No 138 on Mt. Tsundoku.

Finally, one pickup from the Half Price Books in Berkeley that I stopped by on the way home from a hiking excursion:

Gaiman, Neil. The Graveyard Book. HarperCollins, 2008. First edition hardcover. Hugo Award for Best Novel; Locus Award for Best Young Adult Book. I had held off on picking up a copy of this for a while under the mistaken impression that the U.K. publication had priority, but finally looked up the publication dates myself and found that the U.S. edition was released on 30 September; the U.K. edition was not until 31 October. With that knowledge, this was fairly easy to track down. Another one of the small handful of Best Novel Hugo winners that I have yet to read. No 5 on Mt. Tsundoku.

Books Acquired, 8-14 April 2019

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Friends of the Palo Alto Library book sale weekend:

Asimov, Isaac. The Foundation Trilogy. Doubleday, 1963. SFBC hardcover. Omnibus containing FoundationFoundation and Empire, and Second Foundation. 1966 Hugo Award for Best All-Time Series. I usually try not to buy book club editions, but this is one of the exceptions; it’s a big omnibus of books that are well out of my price range in first edition. Plus the ebook version is a questionably edited 1990s edition.

Bolander, Brooke. The Only Harmless Great Thing. Tor.com, 2018. First edition trade paperback. Hugo and Nebula finalist for Best Novelette. Supplements an ebook. I had some comments on this in my Nebula novelette roundup.

Boucher, Anthony (editor). A Treasury of Great Science Fiction, Volume 2. Doubleday, 1962. SFBC hardcover. The Discount Room had a massive selection of Science Fiction Book Club releases. As mentioned above, I usually try not to spend money on these, but I have a weak spot for really good collections. James Davis Nicoll mentioned Boucher’s Treasury in a recent Tor.com post. It contains some great classic science fiction. Sadly the Volume 1 present was missing its cover and I do have to have some standards to stop my apartment from overflowing with more books than it already is.

Brown, Fredric. The Best of Fredric Brown. Nelson Doubleday, 1977. First edition SFBC hardcover. My other exception for Science Fiction Book Club purchases is for true first editions—in this case, the book club release predated the trade release by four months. The Ballantine / Del Rey Classic Science Fiction line of the 1970s is one of those lines that I pick up whenever I see reasonable copies at a book sale.

Campbell, John W. The Best of John W. Campbell. Nelson Doubleday, 1976. First edition SFBC hardcover. Similar to the Fredric Brown collection, except the book club release only predated the paperback by one month.

Gerrold, David. When Harlie Was One. Nelson Doubleday, 1972. First edition SFBC hardcover. Hugo and Nebula finalist for Best Novel. Predates the trade edition (a paperback original) by three months.

Le Guin, Ursula K. Lavinia. Harcourt, 2008. First edition hardcover. Locus Award for Best Fantasy Novel. This was shelved as historical fiction by the book sale.

Knight, Damon (editor). A Science Fiction Argosy. Simon and Schuster, 1972. SFBC hardcover. Another of those great big anthologies that collect a lot of good classic science fiction.

Russell, Eric Frank. The Best of Eric Frank Russell. Ballantine, 1978. First edition mass-market paperback. See above for comments on this publication line; this is an example of the trade editions. (I don’t think this one got a book club release).

Shakespeare, William. King Henry V. Edited by J. H. Walter. Methuen, 1954. Second Arden edition hardcover. Another thing I like picking up at book sales: critical Shakespeare editions.

Silverberg, Robert. The Second Trip. Nelson Doubleday, 1972. First edition SFBC hardcover. Originally serialized in Amazing, July–September 1971. Predates the trade edition (a paperback original) by five months.

Silverberg, Robert. A Time of Changes. Nelson Doubleday, 1971. First edition SFBC hardcover. Nebula Award and Hugo finalist for Best Novel. Originally serialized in Galaxy, March–May 1971. Predates the trade edition (a paperback original) by two months. Because I am a dumbass, I managed to load this on my car atop some sticky clothing label tape that was impossible to remove without damaging the back of the dust jacket. Less disfiguring than it could be given that it’s white, but I’m still annoyed at myself about this.

Stross, Charles. The Apocalypse Codex. Ace, 2012. First edition hardcover. Locus Award for Best Fantasy Novel. Fourth in the Hugo-nominated Laundry Files series, which is currently projected to run eleven or twelve volumes. Bob Howard visits America. The publication history of The Laundry Files is a bit weird so I’ve attempted to summarize it below.

Wells, Martha. All Systems Red. Tor.com, 2017. First edition trade paperback. Hugo, Locus, and Nebula Awards for Best Novella. First in the Murderbot Diaries, which currently consists of three subsequent novellas and an upcoming novel. Supplements an ebook. I mainly didn’t pick this up in print before due to laziness. The story of a secretly free security construct who’s too busy watching TV to go on a murder spree and realizes they might actually care about people. Highly recommended.

 

A Brief Note on First Editions of The Laundry Files

This is just the novels. For a complete list of fiction and reading order for The Laundry Files, see Stross’s website.

Book U.S. edition U.K. edition
The Atrocity Archives Golden Gryphon (HC)
1 May 2004
Orbit (PB)
June 2007
The Jennifer Morgue Golden Gryphon (HC)
November 2006
Orbit (PB)
6 September 2007
The Fuller Memorandum Ace (HC)
6 July 2010
Orbit (PB)
1 July 2010
The Apocalypse Codex Ace (HC)
3 July 2012
Orbit (PB)
19 July 2012
The Rhesus Chart Ace (HC)
1 July 2014
Orbit (HC)
3 July 2014
The Annihilation Score Ace (HC)
7 July 2015
Orbit (HC)
2 July 2015
The Nightmare Stacks Ace (HC)
28 June 2016
Orbit (HC)
23 June 2016
The Delirium Brief Tor (HC)
11 July 2017
Orbit (HC)
13 July 2017
The Labyrinth Index Tor.com (HC)
30 October 2018
Orbit (HC)
30 October 2018
Lost Boys Forthcoming late 2020

Notes:

  1. The Atrocity Archive was originally serialized in Spectrum SF #7-9 (November 2001–November 2002).
  2. The Atrocity Archives contains both The Atrocity Archive and “The Concrete Jungle”, an original novella.
  3. The Jennifer Morgue also contains the novelette “Pimpf”.
  4. UK copies of The Annihilation Score were available on 1 July 2015 at an author signing in Edinburgh.
  5. UK copies of The Delirium Brief were available on 12 July 2017 at an author signing in Edinburgh.
  6. North American copies of The Labyrinth Index were available on 20 October 2018 at an author signing in Toronto.

Books Acquired, 1-7 April 2019

20190408_084907

My annual “cruise the used bookstores right after Hugo finalists are announced” wasn’t particularly successful in turning up this year’s Hugo finalists. However, it did turn up:

Banks, Iain M. The Algebraist. Orbit, 2004. First edition hardcover, with jacket in protective cover. Hugo finalist—perhaps surprisingly, the author’s only. Replaces a U.S. trade paperback. Banks’s third non-Culture science fiction novel.

Bishop, Michael. Blooded on Arachne. Arkham House, 1982. First edition hardcover (with a print run of 4,081), with jacket in protective cover. Bishop’s first short fiction collection, which includes, among others, the title story, “Cathadonian Odyssey”, “On the Street of the Serpents”, and “The White Otters of Childhood”.

Henderson, Zenna. Ingathering: The Complete People Stories. NESFA Press, 2011. Ninth printing of the first edition hardcover, with jacket in protective cover. The definitive edition of the author’s People stories, originally published between 1952 and 1980.

 

Books Acquired, 18-24 March 2019

20190325_090042

Honestly, this post was originally just going to be “there was a Kindle sale on Arthur C. Clarke (and a couple others)”.

Anderson, Poul. Tau Zero. Open Road, 2018. Ebook. 1971 Hugo finalist for Best Novel.

Clarke, Arthur C. Against the Fall of Night. RosettaBooks, 2012. Ebook. Originally published in 1948.

Clarke, Arthur C. Earthlight. RosettaBooks, 2012. Ebook. Originally published in 1955.

Clarke, Arthur C. A Fall of Moondust. RosettaBooks, 2012. Ebook. 1963 Hugo finalist for Best Novel.

Clarke, Arthur C. The Sands of Mars. RosettaBooks, 2012. Ebook. Originally published in 1951.

Matheson, Richard. The Shrinking Man. RosettaBooks, 2011. Ebook. Originally published in 1956. I saw the movie version back in high school.

Simak, Clifford D. City. Open Road, 2015. Ebook. 1953 International Fantasy Award. Fix-up; this edition includes the 1973 “Epilog”.

But on my way back from some Antioch/Martinez area hiking yesterday I stopped by the Concord Half Price Books and grabbed these:

Wilson, Kai Ashante. A Taste of Honey. Tor.com, 2016. First edition trade paperback. Hugo and Nebula finalist for Best Novella. Supplements an ebook from that year’s Hugo packet. Set in the same universe as the author’s Sorcerer of the Wildeeps, which I should really read at some point.

Zelazny, Roger. Trumps of Doom. Arbor House, 1985. First edition hardcover, with jacket in protective cover. Locus Award for Best Fantasy Novel. Either the sixth in a ten-book series or the first of five, depending on how you view the Books of Amber. My vague plan for collecting these is to track down first editions of the Merlin books and then replace my Great Book of Amber with the aforementioned and the SFBC two-book set of the Corwin books. (The cheapest Nine Princes in Amber on AbeBooks right now that isn’t ex-library is $1,750 which is just a bit out of my price range.)